The Arias: Ten’s Breach of Trust
OK, so you’ve read Subliminal Advertising on 10. Seriously. And you’re thinking “Yeah, sure, Ten hasn’t acted above board, but we’re only talking about a total of around one second of a two hour show. Is this really such a big deal?”
A corporate-run broadcaster secretly implanting thoughts into the minds of over a million Australians? Well yes, I think that can safely be called a big deal! Still not convinced? Read on...
Captive audience: screens either side of
the stage carry the offending graphics
It is claimed we live in a free democracy. It is a capitalist one, but notionally we are free to buy or not, view ads or not, and so on. Choice, indeed, is supposed to be at the heart of the capitalist system: if there’s a better deal we’ll choose that one, so it’s in all suppliers’ best interests to offer the customer a good deal.
In the case of commercial TV, that customer choice is becoming a problem for the broadcasters and advertisers. Even if the consumer chooses to watch the station, they can easily skip the ads. The obvious solution is to make more engaging ads. New Stella ad? Cool. Girl in Holeproof undies? (“Sock ’em, Rex!”) Hot!
Instead, Network Ten has resorted to the unlawful, immoral and deplorable tactic of subliminal messages within the program itself. And the degree of cold, calculated premeditation is chilling. Take a look at the single subliminal frame added to the graphics for the Breakthrough Artist Album award:
Dying for Type 2 Diabetes? Try Chupa Chups!
First, the background: There are two triangular areas — the bright one in the middle and another highlighted in Fig. A — and these echo the Aria statue graphic (Fig. B) that darted across the screen repeatedly during the evening. Fig. A also highlights an area of spots, which mirror the ‘aria’ wording (Fig. C) — also a recurring theme.
And the logo itself: The actual Chupa Chups logo has a solid yellow background. But here some horizontal texture has been added, along with orange areas at the bottom and a bright highlight on the right. This is done very subtly, using a mixture of partial transparency and hand-applied highlighting.
Why would anyone go to so much trouble preparing a single frame lasting a blink of an eye? The reason can only be to deliberately avoid it being consciously perceived.
“And we would’ve gotten away with it, too, if it hadn’t been for you pesky kids!” Rove can be pictured lamenting as he’s carted off to a prison cell! In reality, I suspect there will be few consequences for the culprits.
We get the media we deserve, just as we get the politicians we deserve. When Tony Abbot was caught out lying outright on Lateline during the 2004 Federal Election campaign — “...so what?!” he exclaimed, after finally admitting to a clandestine meeting with a cardinal — his political career should have been at an end. But it’s somehow accepted now that politicians will lie.
Imagine how much, say, Family First or The Exclusive Brethren would pay for the ability to covertly get their propaganda into our psyches.
If people accept Ten’s subliminal ads lying down, we’re laying ourselves open to the Orwellian nightmare...
A corporate-run broadcaster secretly implanting thoughts into the minds of over a million Australians? Well yes, I think that can safely be called a big deal! Still not convinced? Read on...
Captive audience: screens either side of
the stage carry the offending graphics
It is claimed we live in a free democracy. It is a capitalist one, but notionally we are free to buy or not, view ads or not, and so on. Choice, indeed, is supposed to be at the heart of the capitalist system: if there’s a better deal we’ll choose that one, so it’s in all suppliers’ best interests to offer the customer a good deal.
In the case of commercial TV, that customer choice is becoming a problem for the broadcasters and advertisers. Even if the consumer chooses to watch the station, they can easily skip the ads. The obvious solution is to make more engaging ads. New Stella ad? Cool. Girl in Holeproof undies? (“Sock ’em, Rex!”) Hot!
Instead, Network Ten has resorted to the unlawful, immoral and deplorable tactic of subliminal messages within the program itself. And the degree of cold, calculated premeditation is chilling. Take a look at the single subliminal frame added to the graphics for the Breakthrough Artist Album award:
Dying for Type 2 Diabetes? Try Chupa Chups!
First, the background: There are two triangular areas — the bright one in the middle and another highlighted in Fig. A — and these echo the Aria statue graphic (Fig. B) that darted across the screen repeatedly during the evening. Fig. A also highlights an area of spots, which mirror the ‘aria’ wording (Fig. C) — also a recurring theme.
And the logo itself: The actual Chupa Chups logo has a solid yellow background. But here some horizontal texture has been added, along with orange areas at the bottom and a bright highlight on the right. This is done very subtly, using a mixture of partial transparency and hand-applied highlighting.
Why would anyone go to so much trouble preparing a single frame lasting a blink of an eye? The reason can only be to deliberately avoid it being consciously perceived.
“And we would’ve gotten away with it, too, if it hadn’t been for you pesky kids!” Rove can be pictured lamenting as he’s carted off to a prison cell! In reality, I suspect there will be few consequences for the culprits.
We get the media we deserve, just as we get the politicians we deserve. When Tony Abbot was caught out lying outright on Lateline during the 2004 Federal Election campaign — “...so what?!” he exclaimed, after finally admitting to a clandestine meeting with a cardinal — his political career should have been at an end. But it’s somehow accepted now that politicians will lie.
Imagine how much, say, Family First or The Exclusive Brethren would pay for the ability to covertly get their propaganda into our psyches.
If people accept Ten’s subliminal ads lying down, we’re laying ourselves open to the Orwellian nightmare...